ArcSyn User Manual: Mod Destinations

OFF
No destination. TIP: Modulation slots set in this way can still be used as modulation sources.
OSC FRQ
Frequency (pitch) modulation of all 3 oscillators.
OSC 1 FRQ
OSC 2 FRQ
OSC 3 FRQ
Individual frequency modulation of oscillators 1 to 3.
OSC SHAPE
Shape modulation of all 3 oscillators.
OSC 1 SHAPE
OSC 2 SHAPE
OSC 3 SHAPE
Individual shape modulation of oscillators 1 to 3.
OSC 1 LEVEL
OSC 2 LEVEL
OSC 3 LEVEL
Level modulation of oscillators 1 to 3.
OSC 1 F MIX
OSC 2 F MIX
OSC 3 F MIX
Filter mix modulation of oscillators 1 to 3. Filter mix controls the balance between how much oscillator output is sent to filter-1 and 2.
FLT FRQ
Frequency (cutoff) modulation of both filters.
FLT FRQ INV
Frequency modulation of both filters but with filter-2 modulation inverted so it will sweep in the opposite direction to filter-1.
FLT 1 FRQ
FLT 2 FRQ
Frequency modulation of filter-1 or 2.
FLT 1 RES
FLT 2 RES
Resonance modulation of filter-1 or 2.
FLT 1 DRIVE
FLT 2 DRIVE
Drive modulation of filter-1 or 2.
FLT 1 LEVEL
FLT 2 LEVEL
Level modulation of filter-1 or 2.
FLT 1 PAN
FLT 2 PAN
Pan modulation of filter-1 or 2. In PARALLEL effect routing mode, this controls the balance of signal sent to effect-1 and effect-3.
FLT 1 - 2
Controls how much of filter-1's output is sent to filter-2's input. This allows the filters to be routed in series.
FLT BALANCE
Balance modulation of filters-1 and 2.
AMP LEVEL
Level modulation of ArcSyn's pre-effect output. (This is separate to ArcSyn's MASTER level control which is positioned post-effect.) Because ArcSyn would produce no output without it, this destination is controlled by a constant internal modulation source of 1 which is multiplied by Env-4's output. As 1 is the maximum possible level, applying more positive modulation to this destination won't do anything, but negative modulation will reduce the output signal level.
LFO 1 FRQ
LFO 2 FRQ
LFO 3 FRQ
LFO 4 FRQ
LFO 5 FRQ
LFO 6 FRQ
LFO 7 FRQ
LFO 8 FRQ
Frequency modulation of LFOs 1 to 8. This works only if LFOs are not tempo-synced. There is no limit to LFO frequency so more positive modulation always increases the LFO frequency.
EFFECT 1 MIX
EFFECT 2 MIX
EFFECT 3 MIX
Modulates the balance between the input (dry) signal and the effected (wet) signal.
EFFECT 1 PAN
EFFECT 2 PAN
EFFECT 3 PAN
Modulates the left/right balance of the effected (wet) signal. This parameter isn't accessible via a front panel control.
EFFECT 1 LFO1 FRQ
EFFECT 2 LFO1 FRQ
EFFECT 3 LFO1 FRQ
EFFECT 1 LFO2 FRQ
EFFECT 2 LFO2 FRQ
EFFECT 3 LFO2 FRQ
Modulates the frequency of effect LFOs 1 and 2. LFO 2 is only used by the ENSEMBLE effect.
EFFECT 1 LFO1 DEPTH
EFFECT 2 LFO1 DEPTH
EFFECT 3 LFO1 DEPTH
EFFECT 1 LFO2 DEPTH
EFFECT 2 LFO2 DEPTH
EFFECT 3 LFO2 DEPTH
Modulates the depth of effect LFOs 1 and 2. LFO 2 is only used by the ENSEMBLE effect.
EFFECT 1 FRQ
EFFECT 2 FRQ
EFFECT 3 FRQ
Modulates the center frequency of most effects. THis has differing results depending on which effect is selected. In the FLANGER effects it modulates the delay time, in BITCRUSHER 1 and 2 it modulates the alias frequency.
EFFECT 1 DELAY L
EFFECT 2 DELAY L
EFFECT 3 DELAY L
EFFECT 1 DELAY R
EFFECT 2 DELAY R
EFFECT 3 DELAY R
Modulates the left and right delay times of delay effects. If a delay is mono, or has only one delay time menu, the DELAY L destination is used. Although the DELAY menus only allow BEAT SYCHRONISED delay times to be selected, this limitation doesn't apply to these modulation destinations, so you can modulate delay times to 'inbetween' positions like 1.234568 beats.
EFFECT 1 HF CUT
EFFECT 2 HF CUT
EFFECT 3 HF CUT
Modulates the high frequency cutoff parameter in delay-based effects.
EFFECT 1 LF CUT
EFFECT 2 LF CUT
EFFECT 3 LF CUT
Modulates the low frequency cutoff parameter in delay-based effects.
EFFECT 1 FEEDBACK
EFFECT 2 FEEDBACK
EFFECT 3 FEEDBACK
Modulates the feedback parameter used by PHASER and FLANGER effects. This does not modulate delay feedback.
EFFECT 1 BITS
EFFECT 2 BITS
EFFECT 3 BITS
Modulates the BITCRUSHER 1 BITS parameter.
EFFECT 1 TIME
EFFECT 2 TIME
EFFECT 3 TIME
Modulates the REVERB DECAY TIME parameter.
EFFECT 1 SIZE
EFFECT 2 SIZE
EFFECT 3 SIZE
Modulates the REVERB SIZE parameter.
EFFECT 1 HF DAMPING
EFFECT 2 HF DAMPING
EFFECT 3 HF DAMPING
Modulates the REVERB HF DAMPING parameter.
EFFECT 1 DELAY FEEDBACK
EFFECT 2 DELAY FEEDBACK
EFFECT 3 DELAY FEEDBACK
Modulates the DELAY FEEDBACK parameter.
EFFECT 1 DRIVE
EFFECT 2 DRIVE
EFFECT 3 DRIVE
Modulates the DISTORTION DRIVE parameter.
EFFECT 1 LF GAIN
EFFECT 2 LF GAIN
EFFECT 3 LF GAIN
Modulates the EQ low frequency gain parameter.
EFFECT 1 HF GAIN
EFFECT 2 HF GAIN
EFFECT 3 HF GAIN
Modulates the EQ high frequency gain parameter.
EFFECT 1 EQ FRQ
EFFECT 2 EQ FRQ
EFFECT 3 EQ FRQ
Modulates the EQ frequency parameter.
EFFECT 1 EQ GAIN
EFFECT 2 EQ GAIN
EFFECT 3 EQ GAIN
Modulates the EQ gain parameter.
EFFECT 1 EQ Q
EFFECT 2 EQ Q
EFFECT 3 EQ Q
Modulates the EQ 'Q', or resonance parameter.
EFFECT 1 BITCRUSHER 2 TYPE
EFFECT 2 BITCRUSHER 2 TYPE
EFFECT 3 BITCRUSHER 2 TYPE
Modulates the BITCRUSHER 2 TYPE selection. This switches between types without any smoothing so can produce some clicks.
EFFECT 1 PRE-DELAY
EFFECT 2 PRE-DELAY
EFFECT 3 PRE-DELAY
Modulates the MULTITAP DELAY pre-delay time. This is the only MULTITAP DELAY parameter which can be modulated (other than MIX and PAN).