SPC Plugins

ArcSyn User Manual: Mod Destinations

ArcSyn Synthesizer Modulation Destinations v2.0

OFF

No destination. TIP: Modulation slots set in this way can still be used as modulation sources.


OSC FRQ

Frequency (pitch) modulation of all 3 oscillators.

OSC 1 FRQ

OSC 2 FRQ

OSC 3 FRQ

Individual frequency modulation of oscillators 1 to 3.


OSC SHAPE

Shape modulation of all 3 oscillators.

OSC 1 SHAPE

OSC 2 SHAPE

OSC 3 SHAPE

Individual shape modulation of oscillators 1 to 3.


OSC 1 LEVEL

OSC 2 LEVEL

OSC 3 LEVEL

Level modulation of oscillators 1 to 3.


OSC 1 F MIX

OSC 2 F MIX

OSC 3 F MIX

Filter mix modulation of oscillators 1 to 3. Filter mix controls the balance between how much oscillator output is sent to filter-1 and 2.


FLT FRQ

Frequency (cutoff) modulation of both filters.

FLT FRQ INV

Frequency modulation of both filters but with filter-2 modulation inverted so it will sweep in the opposite direction to filter-1.

FLT 1 FRQ

FLT 2 FRQ

Frequency modulation of filter-1 or 2.


FLT 1 RES

FLT 2 RES

Resonance modulation of filter-1 or 2.

FLT 1 DRIVE

FLT 2 DRIVE

Drive modulation of filter-1 or 2.

FLT 1 LEVEL

FLT 2 LEVEL

Level modulation of filter-1 or 2.

FLT 1 PAN

FLT 2 PAN

Pan modulation of filter-1 or 2. In PARALLEL effect routing mode, this controls the balance of signal sent to effect-1 and effect-3.

FLT 1 - 2

Controls how much of filter-1's output is sent to filter-2's input. This allows the filters to be routed in series.

FLT BALANCE

Balance modulation of filters-1 and 2.


AMP LEVEL

Level modulation of ArcSyn's pre-effect output. (This is separate to ArcSyn's MASTER level control which is positioned post-effect.) Because ArcSyn would produce no output without it, this destination is controlled by a constant internal modulation source of 1 which is multiplied by Env-4's output. As 1 is the maximum possible level, applying more positive modulation to this destination won't do anything, but negative modulation will reduce the output signal level.


LFO 1 FRQ

LFO 2 FRQ

LFO 3 FRQ

LFO 4 FRQ

LFO 5 FRQ

LFO 6 FRQ

LFO 7 FRQ

LFO 8 FRQ

Frequency modulation of LFOs 1 to 8. This works only if LFOs are not tempo-synced. There is no limit to LFO frequency so more positive modulation always increases the LFO frequency.


EFFECT 1 MIX

EFFECT 2 MIX

EFFECT 3 MIX

Modulates the balance between the input (dry) signal and the effected (wet) signal.


EFFECT 1 PAN

EFFECT 2 PAN

EFFECT 3 PAN

Modulates the left/right balance of the effected (wet) signal. This parameter isn't accessible via a front panel control.


EFFECT 1 LFO1 FRQ

EFFECT 2 LFO1 FRQ

EFFECT 3 LFO1 FRQ

EFFECT 1 LFO2 FRQ

EFFECT 2 LFO2 FRQ

EFFECT 3 LFO2 FRQ

Modulates the frequency of effect LFOs 1 and 2. LFO 2 is only used by the ENSEMBLE effect.


EFFECT 1 LFO1 DEPTH

EFFECT 2 LFO1 DEPTH

EFFECT 3 LFO1 DEPTH

EFFECT 1 LFO2 DEPTH

EFFECT 2 LFO2 DEPTH

EFFECT 3 LFO2 DEPTH

Modulates the depth of effect LFOs 1 and 2. LFO 2 is only used by the ENSEMBLE effect.


EFFECT 1 FRQ

EFFECT 2 FRQ

EFFECT 3 FRQ

Modulates the center frequency of most effects. THis has differing results depending on which effect is selected. In the FLANGER effects it modulates the delay time, in BITCRUSHER 1 and 2 it modulates the alias frequency.


EFFECT 1 DELAY L

EFFECT 2 DELAY L

EFFECT 3 DELAY L

EFFECT 1 DELAY R

EFFECT 2 DELAY R

EFFECT 3 DELAY R

Modulates the left and right delay times of delay effects. If a delay is mono, or has only one delay time menu, the DELAY L destination is used. Although the DELAY menus only allow BEAT SYCHRONISED delay times to be selected, this limitation doesn't apply to these modulation destinations, so you can modulate delay times to 'inbetween' positions like 1.234568 beats.


EFFECT 1 HF CUT

EFFECT 2 HF CUT

EFFECT 3 HF CUT

Modulates the high frequency cutoff parameter in delay-based effects.


EFFECT 1 LF CUT

EFFECT 2 LF CUT

EFFECT 3 LF CUT

Modulates the low frequency cutoff parameter in delay-based effects.


EFFECT 1 FEEDBACK

EFFECT 2 FEEDBACK

EFFECT 3 FEEDBACK

Modulates the feedback parameter used by PHASER and FLANGER effects. This does not modulate delay feedback.


EFFECT 1 BITS

EFFECT 2 BITS

EFFECT 3 BITS

Modulates the BITCRUSHER 1 BITS parameter.


EFFECT 1 TIME

EFFECT 2 TIME

EFFECT 3 TIME

Modulates the REVERB DECAY TIME parameter.


EFFECT 1 SIZE

EFFECT 2 SIZE

EFFECT 3 SIZE

Modulates the REVERB SIZE parameter.


EFFECT 1 HF DAMPING

EFFECT 2 HF DAMPING

EFFECT 3 HF DAMPING

Modulates the REVERB HF DAMPING parameter.


EFFECT 1 DELAY FEEDBACK

EFFECT 2 DELAY FEEDBACK

EFFECT 3 DELAY FEEDBACK

Modulates the DELAY FEEDBACK parameter.


EFFECT 1 DRIVE

EFFECT 2 DRIVE

EFFECT 3 DRIVE

Modulates the DISTORTION DRIVE parameter.


EFFECT 1 LF GAIN

EFFECT 2 LF GAIN

EFFECT 3 LF GAIN

Modulates the EQ low frequency gain parameter.


EFFECT 1 HF GAIN

EFFECT 2 HF GAIN

EFFECT 3 HF GAIN

Modulates the EQ high frequency gain parameter.


EFFECT 1 EQ FRQ

EFFECT 2 EQ FRQ

EFFECT 3 EQ FRQ

Modulates the EQ frequency parameter.


EFFECT 1 EQ GAIN

EFFECT 2 EQ GAIN

EFFECT 3 EQ GAIN

Modulates the EQ gain parameter.


EFFECT 1 EQ Q

EFFECT 2 EQ Q

EFFECT 3 EQ Q

Modulates the EQ 'Q', or resonance parameter.


EFFECT 1 BITCRUSHER 2 TYPE

EFFECT 2 BITCRUSHER 2 TYPE

EFFECT 3 BITCRUSHER 2 TYPE

Modulates the BITCRUSHER 2 TYPE selection. This switches between types without any smoothing so can produce some clicks.


EFFECT 1 PRE-DELAY

EFFECT 2 PRE-DELAY

EFFECT 3 PRE-DELAY

Modulates the MULTITAP DELAY pre-delay time. This is the only MULTITAP DELAY parameter which can be modulated (other than MIX and PAN).

Go to top